May 11, 2012
Exchanging Hats

          Elizabeth Bishop

Unfunny uncles who insist
in trying on a lady’s hat,
—oh, even if the joke falls flat,
we share your slight transvestite twist

in spite of our embarrassment.
Costume and custom are complex.
The headgear of the other sex
inspires us to experiment.

Anandrous aunts, who, at the beach
with paper plates upon your laps,
keep putting on the yachtsmen’s caps
with exhibitionistic screech,

the visors hanging o’er the ear
so that the golden anchors drag,
—the tides of fashion never lag.
Such caps may not be worn next year.

Or you who don the paper plate
itself, and put some grapes upon it,
or sport the Indian’s feather bonnet,
—perversities may aggravate

the natural madness of the hatter.
And if the opera hats collapse
and crowns grow draughty, then, perhaps,
he thinks what might a miter matter?

Unfunny uncle, you who wore a
hat too big, or one too many,
tell us, can’t you, are there any
stars inside your black fedora?

Aunt exemplary and slim,
with avernal eyes, we wonder
what slow changes they see under
their vast, shady, turned-down brim.

May 8, 2012
A Bowl of Spaghetti

          Kimiko Hahn

“To find a connectome, or the mental makeup of a person,”
researchers experimented with the neurons of a worm

then upgraded to mouse hoping
“to unravel the millions of miles of wire in the [human] brain”

that they liken to “untangling a bowl of spaghetti”

of which I have an old photo: Rei in her high chair delicately
picking out each strand to mash in her mouth.

Was she two? Was that sailor dress from Mother?
Did I cook from scratch? If so, there was a carrot in the sauce

as Mother instructed and I’ll never forget
since some strand determines infatuation as a daughter’s fate.

7:27pm  |   URL: http://tmblr.co/Zdp3sxL5vj6g
Filed under: poetry kimiko hahn 
May 1, 2012
The Last Time

          EJ Galang

The last time she mentioned my name it was to tell me
She will be back in a few years. On TV, Bro. Freddie,
42, televangelist, sells his religion built on the idea
That since everything is towards a return,
 
All is surrender. With this I go to bed. For the next day
And days after that, will be the encounter with tall shadows,
Brown tips of dry grass, occassional drizzle, and the smell
Of moist earth and they will tell me I cannot continue,
 
I cannot continue, I only force myself to do so.
By August, I will take Misery up on her invitation,
Come to her party dressed in designer submission, hoping
To be noticed, and walk through the halls, checking out
 
Her collection of obscure painters. I will take my time
With one piece, the one that has a train waiting in a station,
With two men in one car, backs to each other, and a lady,
Barefoot, reading a book in the next car. I will pretend
 
To understand. I will nod and whisper to myself: it’s sad.
I will extend my welcome and enter the room of mirrors
Recovered from a ship that sank ages ago, and imagine
What it would have been like, being in that vessel,
 
Slowly yielding to the sea, further deepening its blue,
And in the middle of my sinking reflection, I will pity
The mirrors and pity my own name, pity their duty
To maintain their polish while bearing too much of myself.

(via goodkungfu, itineraries)

10:54am  |   URL: http://tmblr.co/Zdp3sxKfSfOo
  
Filed under: poetry ej galang